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This book is the first scholarly study of the famous Jesuit Chinese children’s primer, the Four Character Classic, written by Giulio Aleni (1582–1649) while living in Fujian, China. This book also includes masterful translations of both Wang Yinglin’s (1551–1602) hallowed Confucian Three Character Classic and Aleni’s Chinese catechism that was published during the Qing (1644–1911). Clark’s careful reading of the Four Character Classic provides new insights into an area of the Jesuit mission in early modern China that has so far been given little attention, the education of children. This book underscores how Aleni’s published work functions as a good example of the Jesuit use of normative Chinese print culture to serve the catechetical exigencies of the Catholic mission in East Asia, particularly his meticulous imitation of Confucian children’s primers to promote decidedly Christian content.
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Home altars have long been a part of many religious traditions. In each culture, the home altar offers an important sanctuary, providing a sacred space for prayers and meditation, often accompanied by distinct rituals. This private, personal, yet communal space is non-hierarchical, relational, and very often taken care of by women. This study explores how Catholic women perceive and practice their faith within their households in Macau. I argue that domestic religious practices allow women to reconstruct ethnic and religious identities, creating sacred spaces that help them navigate social change while at the same time serving as a powerful means of evangelizing. This dissertation explores the relationship among women, mission, and spirituality examined through domestic devotional practices. By interviewing twenty-one women from three major Catholic ethnic groups in Macau -- Chinese, Filipino and Macanese -- we learn how their altar-making and veneration creates hope and trust and see how the altar acts as a spiritual oasis personally and communally. Women’s roles are not only confined to their homes; they can contribute meaningfully both to society and the church through their participation in the most diverse professional disciplines and ecclesial leadership roles. Yet the home remains a source of creative power, providing the inspiration and strength for women to bring forth their mission to the wider community. Through the narratives of our interviewees from this study, we see how home altar veneration and their related devotional practices act as vehicles for women’s missioning. Women’s special sensitivity and empathy for others promote and nourish the growth and development of the whole human person -- for themselves, for their families, and for those who work with them. Their participatory and personally-oriented approach is the unique gift that women bring to the Church in Asia.
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Chinese Christian (Catholic) architecture is not only an important type of religious architecture, but also an important witness of cultural exchanges between China and the West. This article comprehensively summarizes the architectural styles of Christian (Catholic) churches in modern mainland China, Macau and Hong Kong, and compares the differences in the main styles of their churches horizontally. Based on the data results, a comprehensive analysis of various factors such as age, region, religion, and society is carried out to further explore the reasons for the differences in the architectural styles of Christian churches in the three regions, and discover the historical and religious significance of the Christian churches in modern China.
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When the City of the Name of God of Macao marked 400 years of Portuguese administration in 1956, the Catholic community’s participation was marked by a wide range of activities that included liturgical celebrations, public processions and other devotions that involved large numbers of the lay faithful, members of confraternities, in addition to the clergy and religious of the enclave. Twenty-one years later the Diocese of Macao celebrated its own quatercentenary with celebrations of a decidedly more sober character and at the retrocession of Macao to Chinese control in December 1999, other than a few liturgical events and hierarchical presence at civic ceremonies, the Church was all but invisible. As the Diocese of Macao plans for its 450th anniversary, some of the former richness has begun to return. This paper outlines the long ebb tide and now-nascent flow of the tide of Catholic public piety in Macao over this period by reference to the Catholic religious processions of the City and seeks to offer tentative explanations grounded in the theological, ecclesial, political and cultural winds that have blown across the Pearl River Delta since the end of the Second World War.
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Subject Headings
- Arts and Architecture (1)
- Devotions (2)
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- Book (1)
- Journal Article (2)
- Thesis (1)