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Magazine hosted by João Pedro Marques that portrays the life of the Portuguese Community in the territory of Macau. This programme is dedicated to alternative forms of physical exercise and to the Macau Grand Prix motor race, a tradition that began on the streets.

Program presented by journalist Sandra Felgueiras about Operation Labirinto, the case of the golden visa corruption network, the identification of the Legionella outbreak, and screening for the Legionella bacterium.

Magazine presented by João Pedro Marques portraying the life of the Portuguese community in the territory of Macau. This program is dedicated to the Macau Business Fair and Portuguese representation at the event, to the photography exhibition titled "Writing Macau in Portuguese," which features thirty-four Portuguese-language writers who have written about Macau, and to the Peace and Well Choir, created by missionary Sister Maria Lúcia Fonseca.

Program presented by journalist Sandra Felgueiras about Dias Ferreira's connection to GetEasy, precarious workers in call centers, and the crime committed in Famalicão and the two alleged culprits.

Program presented by journalist Sandra Felgueiras about the investigation into GetEasy on suspicion of fraud, TelexFree, the tragedy at Praia do Meco, and the case of Jardim de Infância 31 de Janeiro.

Magazine presented by João Pedro Marques portraying the life of the Portuguese community in the territory of Macau. This programme is dedicated to the start of the school year at the Portuguese school in Macau; to the commemorations of the establishment of the Republic (5 October 1910), which took place at the Bela Vista Palace; to the visit of philosopher José Gil to Macau, ten years after his essay "Portugal, Hoje: O Medo de Existir", the philosopher discusses the counterpoint between a fear of not existing in the post-Troika period - due to marginalisation through lack of employment, the perception of a lack of future for one's children and their emigration - and the desire to exist, which entrenched interests prevent from being realised, calling into question the country's sovereignty; to the filming of Pedro Cardeira's documentary on the life and work of Chinese painter Mio Pang Fei; to illustrator Luís Simões, who depicts through drawing the protests of young people in the streets of Hong Kong, and to photographer Isaac Pereira and his photographs of trees, in the exhibition "Tree".

Eighth part of the interview with Paulo Jorge de Sousa Pinto about his book "Did the Portuguese Discover Australia? - 100 Questions about Facts, Doubts and Curiosities of the Age of Discovery", published by Esfera dos Livros.

Magazine presented by João Pedro Marques that portrays the life of the Portuguese Community in the territory of Macau. This program is dedicated to the report on the Fukushima disaster, made by journalist Patrícia Neves, whose interviews with survivors were edited into the book "Império Nuclear", with a public presentation accompanied by a photographic exhibition and statements from the author; to the debut in Macau of visual artist João Vasco Paiva with the exhibition "Cast Away", where the artist's paintings and sculptures are displayed; to the presentation and interview with Pedro Sousa about his book "Sem Água Não Existem Ilhas"; to the documentary "Crónicas de Wu Li no Colégio de São Paulo", by Silvie Lai and James Jacinto, currently in production, about the life of a Chinese Jesuit priest and which introduces the Colégio de São Paulo, the first University in China (Macau) in the 17th century, and to the evocation of Custódio Miguel de Borja, Governor of Macau in the late 19th century.

Magazine show presented by João Pedro Marques portraying the life of the Portuguese Community in the territory of Macau. This programme is dedicated to Cavaco Silva's visit to Macau and to the Portuguese-Chinese relations.

Magazine presented by João Pedro Marques that portrays the life of the Portuguese Community in the territory of Macau. Programme dedicated to the last major Portuguese work left in Macau, the Cultural Centre inaugurated by Jorge Sampaio on 19 March 1999, and to the ageing of Macau's population, with testimonies from three octogenarians who remain active.

Magazine presented by João Pedro Marques portraying the life of the Portuguese community in the territory of Macau. This programme is dedicated to the "25th of April" and to how the revolution was experienced in the territory of Macau. Testimonies about Governor Nobre de Carvalho's stance on the revolution, about the absence of PIDE in Macau and how news reached the territory, and about the greater freedom existing there. Report "The Revolution and the Chinese Community", authored by journalists João Guedes and Lina Ferreira.

Magazine presented by João Pedro Marques that portrays the life of the Portuguese Community in the territory of Macau. Program dedicated to the publication of André Carrinho's graphic diary, under the title "Inércia", which contains his on-site drawings of Macau, to the new editorial project of a bilingual weekly titled "Plataforma", under the direction of Paulo Rego, and to the evocation of one of the great Portuguese figures of the 19th century in Macau, the judge Ouvidor Arriaga, whose name was Miguel de Arriaga Brum da Silveira, native of the Island of Fail in the Azores.

Magazine presented by João Pedro Marques that portrays the life of the Portuguese Community in the territory of Macau. This programme is dedicated to the improvement of Portuguese language teaching with the edition of a new manual also aimed at non-native students, to the concert by MikroDuo who performed several pieces by classical composers on guitar, to the exhibition "Pintar a Ideia" by visual artist Manuel Casimiro and to the evocation of one of the last naval battles of the Portuguese navy, the "Battle of Boca do Tigre" against the pirate Cam-Pau-Sai, fought with oriental vessels, on 21 January 1810, on Landau Island.

Fourth part of the interview with Paulo Jorge de Sousa Pinto about his book "Did the Portuguese Discover Australia? - 100 Questions about Facts, Doubts and Curiosities of the Discoveries", published by Esfera dos Livros.

Magazine presented by João Pedro Marques that portrays the life of the Portuguese community in the territory of Macau. This program is dedicated to the award of the title of Commander of the Order of Merit to engineer Henrique Novais Ferreira, to cartoonist Rodrigo de Matos, based in Macau, awarded the Grand Prize of "Press Cartoon Europe", to Macau's participation with 100 athletes in the Lusophony Games held in Goa, and to the evocation of Dom Melchior Carneiro, bishop and Renaissance figure in the 16th century, and one of the great figures of the early days of Macau.

Magazine presented by João Pedro Marques portraying the life of the Portuguese community in the territory of Macau. This programme is dedicated to various works by photographers, starting with the photography exhibition "Ponte de Luz" by photographer Carmo Correia, the projects of photographer Mica Costa Grande, devoted to the Chinese Year of the Horse, with the participation of 38 multidisciplinary artists, and the exhibition "Drifting Eyes" by Álvaro Barbosa on the icebergs of Antarctica; also included are the decoration of several Portuguese residents in Macau, the cooperation of the University of Coimbra in studies on Macau and China, the homage paid to navigator Jorge Alvares, the first Portuguese navigator to reach Macau, and the evocation of the first Government of Macau, Horta e Costa.

Interview with musician Zé Eduardo, double bassist, pianist, composer and jazz teacher.

Program about João Mexia and António Coelho, Portuguese emigrants in Macau and owners of restaurants where they promote Portuguese cuisine.

The article problematizes the apparent semantic equivalence between “art” in European traditions and the Chinese concept *yishu* 藝術, arguing that the supposed universality of the institution of “Art” is historically constructed and therefore cannot be assumed without mediation. Taking the Han dynasty and the intellectual framework between the ideal of the “liberal arts” and the *liuyi* 六藝 (Six Arts) as a point of reference, the author proposes that the Han understanding of “art” is articulated less through autonomous aesthetics and more through normative, pedagogical, and ritual functions linked to the formation of the moral subject and social order. Methodologically, the text undertakes a conceptual and historical-philosophical analysis, examining the genealogy of the terms and the implicit criteria used to classify and legitimize practices, with attention to how these practices were embedded in regimes of education and authority. The conclusions suggest that, in the Han period, “art” is not reducible to Beauty, representation, or individual appreciation, but rather corresponds to a complex of competencies (especially literate ones) that connect technical mastery, inner cultivation, and public recognition. Thus, the article reinterprets the *liuyi* as key to understanding the peculiarities of the Chinese idea of “art” before the consolidation of categories closer to Western modernism.

The article presents an annotated translation, aimed at a Portuguese-speaking audience, of excerpts from the "Bibliographical Treatise on Letters and Arts" (Yiwenzhi 藝文志), a section of the Hanshu 漢書 attributed to Ban Gu (班固). The central contribution is to argue that the TBLA should not be read as a mere bibliography, but rather as a political-intellectual device of knowledge taxonomization, capable of guiding both the history of ideas and the formation of the "scholar-bureaucrat" and, ultimately, the spiritual and moral life associated with the ideal of governance. Methodologically, the work combines a historical-cultural contextualization of the Han compilation with a philological and conceptual analysis of the term yi 藝 ("art"), demonstrating how the treatise produces an organic and systematic definition of "art" through the category of the "Six Arts" (here unfolded into nine works), each accompanied by collection lists and critical postfaces. Among the main results, the identification of the TBLA's role in the transition from oral to written traditions stands out, as well as the formulation of a canon that articulates the aesthetic competencies and moral discipline of the individual. Thus, the translation aims to highlight the primitive status of the "arts" as the foundation of a trajectory that would later be reorganized under the model of the "Classics."