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  • The article analyzes a practice of cultural representation and negotiation that articulates religion, diplomacy, and material arts: a "dialogue" concerning Chinese porcelains attributed to Frei Bartolomeu dos Mártires and Pope Pius IV. Departing from the observation that porcelain circulates not merely as a commodity but as a symbolic language capable of producing legitimacy, prestige, and persuasion, the study interprets the episode as a rhetorical device between metropole and periphery, in which knowledge about the origin and appreciation of China is mobilized to the benefit of Catholic hierarchies and networks. Methodologically, the author proceeds through a contextual and comparative reading of sources and coeval descriptions, articulating textual discourse with evidence of the Iberian circulation of porcelain and imitations (especially in Portugal and the Iberian Peninsula) and with the visual culture of the Baroque apparatus. The conclusions highlight that images of porcelain, including stagings in courtly ceremonies, functioned as instruments of cultural translation and assertion of authority, although the commercial viability of imitations was frequently limited. Thus, the "dialogue" reveals tensions between fascination with China, strategies of local appropriation, and the historical limits of production and the market in the early seventeenth century.

Last update from database: 9/15/26, 10:43 AM (UTC)

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