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  • The article examines the "energy" of plot and the act of narrating in post-colonial fiction, arguing that competing stories—rather than merely the valorization of orality—reveal social and political dynamics that resist essentialism. Drawing on Richard Kearney's formulations concerning the power of narratives to shape fragmented events and produce communal identity, as well as Michael Jackson's distinction between canonical stories that reinforce boundaries and narrative practices that dissolve or transgress them, the author proposes that the apparent tension between collective cohesion and individual difference can be productive, and is verifiable in two literary cases. Methodologically, the text brings Brian Castro and Mia Couto into dialogue through a comparative and contextualized reading, articulating narrative poetics with biographical trajectories marked by cultural "in-betweenness" and processes of decolonization. The works analyzed evince procedures of self-invention, identity ambiguity, and reconfiguration of national and linguistic belongings, refusing stories "imposed from above" and opening space for multiple points of view. The conclusion is that, in Castro and Couto, storytelling functions simultaneously as a mechanism of meaning-making and as a critique of totalizing categories, transforming narrative into a device of resistance and rewriting of the post-colonial.

  • João de Pina-Cabral’s *Between China and Europe: Person, Culture and Emotion in Macao* is presented as a distinctive contribution to historical and social anthropology, extending the author’s earlier work on Macanese identity and its shifting relation to Portuguese and Chinese heritages. The review emphasizes the book’s central analytic claim: Macao’s social history is repeatedly reconfigured by “incidents” that alter Portuguese–Chinese governance and, in turn, transform how Macanese people understand their own cultural practices. Drawing on field-based insights and sustained historical observation, the study links well-known turning points—particularly the consolidation of formal colonial rule in 1846 under Ferreira do Amaral and its reversal in 1966–67—to symbolic sites and commemorative practices, including statues of colonial figures and monuments whose meanings exceed their official intentions. The review highlights Pina-Cabral’s ability to connect political events to lived emotion and collective memory, showing how local accommodation, resentment, and cultural nuance emerged under changing imperial pressures. Key findings thus foreground the performative power of material symbols (even when plans fail) in mediating personhood, emotion, and cultural affiliation between China and Europe across the nineteenth, twentieth, and early post-1999 periods.

Last update from database: 9/14/26, 2:19 AM (UTC)

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