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  • 在此书评中,David Brookshaw审视了当代澳大利亚著名作家Brian Castro的《上海之舞》(2003)。Brookshaw将该作品定位为一部雄心勃勃的“虚构自传”,记述了Castro家族自20世纪30年代至60年代间跨越上海、香港与澳门的错综历史,并上溯至17世纪的葡荷冲突。书评着重强调了Castro的后现代手法,尤其是他将档案照片与家族记忆相融合、从而消解历史事实与虚构创作之间界限的精湛技艺。 Brookshaw深入探讨了小说在葡亚散居语境下的核心主题:去根化、混杂性以及身份认同的流动性。分析中相当篇幅聚焦于“舞蹈”这一隐喻,书评者将其解读为多层面的象征——既是存在意义上的庆典,也是一种过渡仪式,同时还是作者祖先所面临的“困缚之仪”。最终,Brookshaw将该小说视为一部“杰作”,是对葡人在东亚经历的罕见文学书写。通过将个人谱系与更广阔的历史变迁——包括日本占领及1997年香港回归——交织在一起,Castro被呈现为一位通过流散与永恒重生之叙事成功重塑自身历史的作家。

  • This article examines the literary output of Brian Castro, one of Australia’s most prominent contemporary novelists, within the context of his multifaceted cultural heritage. Born on a ferry between Macao and Hong Kong to parents of Portuguese, Chinese, and English descent, Castro’s work is deeply informed by themes of hybridity, dislocation, and the "third space." Brookshaw argues that Castro’s preoccupation with "disinheritance" is not a source of loss but a liberating catalyst for creative reinvention. Drawing parallels between Castro and the Portuguese poet Fernando Pessoa, the study explores how the author subverts essentialist labels and traditional notions of Australian national identity. Central to this analysis is the metaphor of "African chicken"—a Luso-tropical pastiche that embodies the "Creolising of forgetting and memory." By examining the intersection of autobiography, history, and fiction, the article demonstrates how Castro utilizes the power of imagination to fill the gaps of a fragmented past. Ultimately, Brookshaw posits that Castro’s novels offer a transformative vision of multiculturalism, where the lack of a fixed inheritance allows for the active and autonomous construction of individual identity through storytelling.

Last update from database: 9/14/26, 2:19 AM (UTC)

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